DIVENTA IL CAMPIONE! – Formazioni di cenote

archivio – FotografiaDIVENTA IL CAMPIONE! – Formazioni di cenote

La diffusione – Alex Mustard

LE MIGLIORI FORMAZIONI in cave systems such as the cenotes of Mexico’s Yucatan tend to be a little deeper inside, where it’s dark. If we light them only from the front they tend to look flat and blend with the background. This is where remote strobes come in.
Off-camera lighting is a powerful photographic technique, but also difficult even with correct gear; massively frustrating when the equipment is imperfect.
Practise with your remote strobe before you dive, and triple-check that the system is working! Using off-camera strobes is time- and attention-consuming, and neither are good things in a dark, overhead environment.
Ricorda che l'immersione sicura viene sempre prima di tutto fotografiae fissare obiettivi modesti.
Remote strobes can either be held by the model, pointing away from the camera to light up the background, or, as here, positioned behind the feature of interest on a plastic Gorillapod.
The remote strobe creates far more depth in the total darkness of the cave, resulting in a more complete image. The perspective of the wide-angle lens makes the passageway look very tight for the diver – which helps to make the image more dramatic.
Scattata con una Nikon D5 e Nikon 20mm. Abitazione subal. Porta correttore UW Zeiss. 3 Inon Z240, 2 sulla fotocamera, uno esterno alla fotocamera. 1/250 a f/9, ISO 1600.

LE MIGLIORI FORMAZIONI in cave systems such as the cenotes of Mexico’s Yucatan tend to be a little deeper inside, where it’s dark. If we light them only from the front they tend to look flat and blend with the background. This is where remote strobes come in.
Off-camera lighting is a powerful photographic technique, but also difficult even with correct gear; massively frustrating when the equipment is imperfect.
Practise with your remote strobe before you dive, and triple-check that the system is working! Using off-camera strobes is time- and attention-consuming, and neither are good things in a dark, overhead environment.
Ricorda che l'immersione sicura viene sempre prima di tutto fotografiae fissare obiettivi modesti.
Remote strobes can either be held by the model, pointing away from the camera to light up the background, or, as here, positioned behind the feature of interest on a plastic Gorillapod.
The remote strobe creates far more depth in the total darkness of the cave, resulting in a more complete image. The perspective of the wide-angle lens makes the passageway look very tight for the diver – which helps to make the image more dramatic.

Scattata con una Nikon D5 e Nikon 20mm. Abitazione subal. Porta correttore UW Zeiss. 3 Inon Z240, 2 sulla fotocamera, uno esterno alla fotocamera. 1/250 a f/9, ISO 1600.

Apparso su DIVER marzo 2018

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